Last summer in France I painted a series of abstract landscapes that were influenced by the panorama around me. Since the paintings were abstract, I took liberties with the landscape and terrain that I was observing.
When I am in the south of France, I have the good fortune to have one of my mentors Suzanne L’Hoste Snadecki available for critiques. When she saw my finished series she commented that she like them all except one.
Here is the one in which she found a problem.
Suzanne found the horizontal V lines in the middle of the painting too sharp. I said that I appreciated her opinion, but I like the painting the way it was.
A few weeks ago, after looking at that painting for some time, I found that it was making me uncomfortable and that Suzanne was right.
I took out the harsh red lines in the middle of the painting, added more violet and added to the texture of the grass in the middle ground. I am now happy with it and I hope that Suzanne is too.
Oh yes, I love it now.
I like it much more now too. Thank you for your critique.
I like the softening and blending of the lines you did! Much nicer! I’m struggling with my eyes staying in the bottom portion of the painting, and wondering what could bring them to flow back up towards the top of the painting. I haven’t resolved that yet.
Thank you for your perspective Linda. I will look at at it too.
I love the new look. Makes me know we can always go back and fix something if we feel it needs it.
Joni, thanks for commenting. A painting is not really finished until the artist makes peace with it.