Do creativity and travel change how I paint? As I have been working on the second painting of my Ireland series, I keep thinking about how traveling to places away from home influences my work.
That certainly was the case for me for years in France. Whenever I was there, I not only was affected by the scenery, I was also influenced by the age of the country, the people, the food, the quiet country roads and the lovely village in which I worked.
Spending a month in California at an artist residency last year allowed me to experience living in an old farmhouse in the middle of a vineyard and seeing how old, gnarled vines tangled around each other.
I have also painted a short time in Italy and Chicago. So I ask myself, have all of these experiences actually changed the way I paint and the way I see the world?
It is something for me to ponder since I first started painting in the southwest of France. After I came home, I painted what was in my environment or from photos in a painting class. At that time I was just trying to learn to paint.
Neuroscience
Not long ago I read that “In recent years, psychologists and neuroscientists have begun examining more closely what many people have already learned anecdotally: that spending time abroad may have the potential to affect mental change.”
Which brings me back to Ireland. I love France, but it doesn’t seem to have the spiritual punch for me that Ireland does. I am not really sure yet what that means.
I didn’t paint in Ireland, so I am relying on my memories and impressions for subject matter. I haven’t painted from photos. It is a very rural country. It is perfect for painting abstract landscapes. But creating a lovely landscape painting is not how or why I paint.
I paint in order to express the feelings inside me of something that inspires me. This series has a different feeling for me, but I can’t tell you why yet.
Here is a quote that I came across today by Miriam Beard about creativity and travel.
“Certainly, travel is more than the seeing of sights; it is a change that goes on, deep and permanent, in the ideas of living“
This painting and your last pack a solid punch. Again, I am struck by your ability to suggest rather than name. The colors you’ve used and the movement from compelling foreground through to compelling background are magnets, invitations for me to explore. I feel the unfathomable age of the earth, the hint of people who lived centuries before me. I feel my feet on the ground, the changing temperature and humidity as I walk.
Dotty, what great comments. It is like you are inside my head. The colors are coming straight from my feelings about Ireland. I am so happy that you are getting so many details of my thoughts, like humidity and people who lived before me. Thank you so much.
Nicely put, Ann!
Thank you for your comment Tim.