Tag Archives: Chicago

Total Immersion Painting

This past weekend I had the pleasure of being flown to Naperville, a suburb of Chicago to do a private painting retreat for two painters. The entire experience was a pleasure from the first night until the day that I left. There was hospitality and creativity in abundance. It was a delightful painting environment. The backyard was filled with many 200 year-old oak trees, which are a painter’s dream.

SylviaLippmann-Red Tree in Summer

Sylvia Lippmann-Red Tree in Summer

Not only does my hostess Sylvia have a history of painting, she has art in her genes. She hadn’t painted for a while and wanted to jump back in and get a confirmation of her painting style which was obviously well-formed and quite lovely. She has a well-established palette and a definite leaning toward particular color combinations.


Sylvia Lippmann-Unexpected Pears

Sylvia Lippmann-Unexpected Pears


Sylvia Lippmann

Sylvia Lippmann, oak trees in progress

The second painter, Dotty, is a beginner to painting, although she has been expressing her creativity for many years. In three days she went from asking many questions and being somewhat tentative to working primarily on her own.

Dotty Seiter

Dotty Seiter, oak tree in progress

Dotty Seiter-Sitting in Lotus Postion

Dotty Seiter-Sitting in Lotus Position

Dotty Seiter-Leaning into Lessions at the Edge of the World

Dotty Seiter-Leaning into Lessons at the Edge of the World









For me the experience was a delight not only because I painted along with them, but because they were both so receptive to my suggestions. At the end of the three full days of painting we were surrounded by a collection of lovely paintings that we left sitting around us as we talked or dined. It was like eating in an art gallery because we each did three paintings. It was a total immmersion experience that I would enjoy repeating.

SylviaLippmann-My Mothers Palette.

Sylvia Lippmann-My Mother’s Palette.

Dotty Seiter-Creative Juices in the Flesh

Dotty Seiter-Creative Juices in the Flesh


The Inspiration for Boat House

When a person or a family buys one of my paintings they seem to be satisfied with the image that I created. Just before my exhibit at the Harwood Art Center in Albuquerque, New Mexico this year, however, a family from Massachusetts bought Boat House. Unlike many of my collectors, they were very curious about my process and the thoughts that lead me to paint it. The questions went like this.

What drew you to paint it?  During the summer of 2011, I attended the School of the Art Institute of Chicago (SAIC). While there, I went on an architectural boat tour. I did some sketches of various things along the river and some were turned into paintings in Chicago. I didn’t do anything with the boat houses while I was in Chicago. I started working on Boat House after going back and looking at some old sketches in the fall 2012. I was into doing abstract landscapes at the time, so I didn’t want to do a city scene, but I liked one sketch that I had. So I took an old boat house, probably built in the 1940’s and revisualized it out of the city, all by itself near a body of water. I had no particular body of water in my mind. Most of the painting is representational. The colors in the painting are somewhat representative of my particular palette.

So let’s say that I started it in November, 2012. I rarely keep track of what I do to my paintings because sometimes I work on them more than once and add various layers of paint. I did a very rough sketch on the canvas and just started painting and adding a few more touches or layers of paint. I actually may not have finished Boat House until January, 2013.

Boat House

Boat House, acrylic on canvas, 20×24, ©2012, Ann Hart Marquis

What are the names of the colors you used?  This is tough. I usually start with 3 or 4 colors (frequently called hues by painters) once I have a piece in mind. I almost always use tints (white added), tones (white and black added) or shades (black + color). I also frequently add the complement of a particular color to lessen the intensity. I mix many of my colors and rarely use paint right out of the tube. So first, I chose phthalo green, yellow ochre, cadmium red light and cobalt blue. The river water is layers of yellow ochre, phthalo green, and cobalt blue. When I put cobalt blue on top of phthalo green, the cobalt blue took on a violet glow. The left side of the house is alizarin crimson and the right is cadmium red light. The sky is cerulean blue and the ocean, lake, (body of water), is cobalt blue. I think you may be able to see most of these colors in the rocks of the right. As you can see I didn’t stay with my original palette

Where did you paint Boat House?  In my studio in Albuquerque, New Mexico.

Thank you Dotty and Dave for asking.