Tag Archives: color wheel

Warm/Cool Palette

My friend Sylvia is attracted to violets and yellow greens when she paints. I frequently paint with yellow/green, but rarely paint with violets. I decided to experiment.

I thought that I would do a painting based on the warm/cool palette of color theory. As you can see from this color wheel, colors can be divided into warm and cool.

warm-cool

Warm/Cool

I chose to use yellow/green and red/violet because they are complementary colors on the color wheel. They are opposite each other and therefore when used together they make for a vibrant and interesting painting.

Ann Hart Marquis-warm cool palette

Untitled, acrylic on canvas, 24 x 18 x.75 inches, 2015. ©Ann Hart Marquis

I started with tints, tones and shades of yellow/green and red/violet. This gave me a rather cool painting. I then added the warm yellow and a touch of red/orange to warm the scene.

Here is the finished painting. It does not have a title yet. Any suggestions?

Orange and Magenta Are Not Complementary Colors

I have been frequently thinking about color recently because of the beginning painting class that I am teaching, questions people ask me about color and about how I use color in my own paintings. I love color and particular color combinations. Even after almost 15 years of painting, I consult my color wheel before I start a painting and sometimes while I am in the process of painting.

AnnhartMarquis-color-whe

Basic color wheel

When I paint, I prefer to use pairs or sets of complementary colors. Sometimes people mistake the work “complement” with the word “compliment” thinking that complementary means that the colors that go well together. Complementary colors that are opposite each other on the color wheel are considered to be complementary colors (example: red and green). Complementary colors, when used together in color schemes, are especially dynamic and pleasing to the eye. The painting Mist is an example of using the complement of blue which is orange.

AnnHart Marquis-Mist

Mist, acrylic on canvas, 24×24-inches, 2011. ©Ann Hart Marquis

Intensity-CraigKunce

Color Intensity-Craig Kunce

 

 

 

 

 

 

 

The high contrast of complementary colors creates a vibrant look especially when used right out of the tube. I rarely use paints without decreasing their intensity or brightness, by adding a little black to the color or by adding the color’s complement. The above chart created by Craig Kunce is an example of how colors can be lessened in intensity.

In this painting from my new series I used pairs of double complements: red/violet, yellow/green and blue/orange. An example of lessening the intensity of a color or “graying it down” is the very pale yellow-green in the back hillside that was created by mixing yellow, white and black. It has no green in it.

AnnHartMarquis-Untitled1

Untitled 1, acrylic on canvas, 24×34-inches, 2014. ©Ann Hart Marquis

Do you have particular color combinations that appeal to you?