Tag Archives: color

Montana Watercolor

One of the reasons I like to travel is to get new inspiration for my art.  The colors that are prevalent in a location are important to me.  I just returned from a week in Montana horseback riding, hiking and relaxing at Pine Butte Guest Ranch in Choteau which is in the middle of nowhere. I live in New Mexico where the colors are vibrant. The rocks and cliffs are red and the sky is cerulean blue. I frequently go to France where the soft, rolling landscape is 35 shades of green with a muted blue sky.

 Montana

Montana Norther Front of the Rookies

Montana, Northern Front of the Rookies (photo by Tim Anderson, 2013)

Montana’s terrain is quite unique. First, the landscape was carved by glaciers millions of years ago. This makes for a contrast between high mountains and long prairies and valleys. Many of the rock and mountain formations were unique shades of gray. The prairies were a soft green. I love trees and I appreciated the number of aspen trees in the area.

While I was at the ranch I learned that there was a staff member who was willing to give watercolor lessons if anyone was interested. I immediately thought, “No, not for me.”  I like the thick application of acrylic and oil paint. My very first art class had been a watercolor class.  The class was not particularly successful, primarily because I knew nothing of shapes, perspective or composition. It took me a few hours of horseback riding at the ranchbefore I thought, “Why wouldn’t I take a watercolor class?” I did, and loved it thanks to the guidance of Sheryl Mink, a very talented artist as well as being the ranch gardener. Here are my very quick attempts to appreciate watercolor. And I do. I many even pursue it.

Mountain Plateau

Mountain Plateau

Vase With Flowers

Vase With Flowers

Watering Can With Flowers

Watering Can With Flowers

Three Trees

Three Trees

 

The Inspiration for Boat House

When a person or a family buys one of my paintings they seem to be satisfied with the image that I created. Just before my exhibit at the Harwood Art Center in Albuquerque, New Mexico this year, however, a family from Massachusetts bought Boat House. Unlike many of my collectors, they were very curious about my process and the thoughts that lead me to paint it. The questions went like this.

What drew you to paint it?  During the summer of 2011, I attended the School of the Art Institute of Chicago (SAIC). While there, I went on an architectural boat tour. I did some sketches of various things along the river and some were turned into paintings in Chicago. I didn’t do anything with the boat houses while I was in Chicago. I started working on Boat House after going back and looking at some old sketches in the fall 2012. I was into doing abstract landscapes at the time, so I didn’t want to do a city scene, but I liked one sketch that I had. So I took an old boat house, probably built in the 1940’s and revisualized it out of the city, all by itself near a body of water. I had no particular body of water in my mind. Most of the painting is representational. The colors in the painting are somewhat representative of my particular palette.

So let’s say that I started it in November, 2012. I rarely keep track of what I do to my paintings because sometimes I work on them more than once and add various layers of paint. I did a very rough sketch on the canvas and just started painting and adding a few more touches or layers of paint. I actually may not have finished Boat House until January, 2013.

Boat House


Boat House, acrylic on canvas, 20×24, ©2012, Ann Hart Marquis

What are the names of the colors you used?  This is tough. I usually start with 3 or 4 colors (frequently called hues by painters) once I have a piece in mind. I almost always use tints (white added), tones (white and black added) or shades (black + color). I also frequently add the complement of a particular color to lessen the intensity. I mix many of my colors and rarely use paint right out of the tube. So first, I chose phthalo green, yellow ochre, cadmium red light and cobalt blue. The river water is layers of yellow ochre, phthalo green, and cobalt blue. When I put cobalt blue on top of phthalo green, the cobalt blue took on a violet glow. The left side of the house is alizarin crimson and the right is cadmium red light. The sky is cerulean blue and the ocean, lake, (body of water), is cobalt blue. I think you may be able to see most of these colors in the rocks of the right. As you can see I didn’t stay with my original palette

Where did you paint Boat House?  In my studio in Albuquerque, New Mexico.

Thank you Dotty and Dave for asking.